The Oxford American is a national magazine dedicated to featuring the very best in Southern writing while documenting the complexity and vitality of the American South. Billed as "The Southern Magazine of Good Writing," it has won two National Magazine Awards and other high honors since it began publication in 1992.
Contributors
Cigarette Smoke and Magic
Oxford American
Anita Baker Introduced Us and Patrice Rushen Did the Rest
Gracias a la Vida
Some Ballad Folks
Inside Voice
Orphan Girl
Hearing Aids
The Feel of the Flames
The Final Gift • A New Traditional
The Middle Eight • A BALLADS SONGBOOK
Radical Light • The cosmic collision of Roberta Flack and Donny Hathaway
Ballads by Request • Sid Hemphill and “The Strayhorn Mob”
Lost in Love • How “I Can’t Make You Love Me” became a modern standard
Smile with the Sad • The hopeful melancholy of Project Pat’s “Life We Live”
The Only Exception • On Paramore and forgiving past selves
Horse Girls • Death, ponies, and the Local Honeys
Never Walk Alone • Aretha Franklin’s gospel as heartache’s balm
Getting On • Madvillain’s “Accordion” and the double-bind of making it
Never Alone In The Night • The queer alchemy of Melvin Lindsey's Quiet Storm
More than What You Made of Me • How Beyoncé's “Listen” became the Philippines' unofficial national anthem
Was It Cooler Back Then? • A search for the memory of R.E.M. in Athens, Georgia
How To Take It Slow • Following the rhythm of Shirley Horn
Blood Harmony • The far-flung tale of a murder song
MUSIC CREDITS