Dangerous Women

January 9, 2023
“What does it mean to be a ‘dangerous woman’?” ask the contributors to this strong collection. Editors Shaw and Fletcher-Watson, who previously collaborated on The Art of Being Dangerous, join with Ahmadzadeh to bring together 50 selections from the University of Edinburgh’s Dangerous Women Project, which in 2016 solicited reflections from around the world on the “dynamics, conflicts, identities and power relations with which women live today.” Lebanese novelist Nada Awar Jarrar recalls a schoolmate who bristled against the anonymity of having to wear a hijab and the complex cultural considerations involved in her decision to stop, with Jarrar concluding that “a dangerous woman is one who... insists on remaining true to herself.” Other highlights explore such historical women as medieval Christian mystic Margery Kempe, whose pious behavior forced male officials to consider if persecuting her meant persecuting God, and the late medieval sex workers of Florence, whose participation in the semiregulated sex industry gave them legal recourse denied to most other women. The wide-ranging selections—which touch on ambivalence about maternity, the legacy of South African pop star Brenda Fassie, and the difficulty of getting a divorce in India—are rich with history and testify to the numerous ways women across the globe are challenging patriarchy. Invigorating and incisive, these provide food for thought.

Starred review from February 1, 2023
Writers, poets, artists, historians, politicians, and scholars reflect on the notion of the dangerous woman in this collection initialized by the Dangerous Woman Project at the University of Edinburgh. The collection's greatest strength lies in its disciplinary diversity and global representation; the reader will find perspectives and interpretations on the dangerous-woman theme that move across nearly all continents and through many areas of study. Nicola Sturgeon, Scotland's First Minister, writes the first essay on politics, feminism, and media. Literary and historical figures such as Ana�s Nin, Fulvia (Mark Antony's Roman wife), and Eve are profiled, while other essayists write about Wikipedia, gendered speech, and women assassins in Colombian organized crime. Yet more contributors craft impactful poems and narratives on topics as varied as postpartum depression, interfaith communication between two women of different countries and creeds, and the concept of childlessness by choice. Dangerous Women celebrates women's power and potential and explores the various ways in which women can threaten the norms of their societies and become "dangerous." The collection is a powerful example of interdisciplinary and intersectional feminism, and readers of Rebecca Solnit, Roxane Gay, or Carmen Maria Machado will savor these 50 unique perspectives.

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