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2 of 3 copies available
2 of 3 copies available

Jenny Erpenbeck's much anticipated new novel Kairos is a complicated love story set amidst swirling, cataclysmic events as the GDR collapses and an old world evaporates

WINNER OF THE 2024 INTERNATIONAL BOOKER PRIZE

LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE

Jenny Erpenbeck (the author of Go, Went, Gone and Visitation) is an epic storyteller and arguably the most powerful voice in contemporary German literature. Erpenbeck's new novel Kairos—an unforgettably compelling masterpiece—tells the story of the romance begun in East Berlin at the end of the 1980s when nineteen-year-old Katharina meets by chance a married writer in his fifties named Hans. Their passionate yet difficult long-running affair takes place against the background of the declining GDR, through the upheavals wrought by its dissolution in 1989 and then what comes after. In her unmistakable style and with enormous sweep, Erpenbeck describes the path of two lovers, as Katharina grows up and tries to come to terms with a not always ideal romance, even as a whole world with its own ideology disappears. As the Times Literary Supplement writes: "The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck's work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of this period between states and ideologies."

In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel. And, as The New Republic has commented on his work as a translator: "Hofmann's translation is invaluable—it achieves what translations are supposedly unable to do: it is at once 'loyal' and 'beautiful.'"

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    • Publisher's Weekly

      February 6, 2023
      Erpenbeck (Go, Went, Gone) sets the dissolution of a May-December romance against the backdrop of German reunification in her solemn and subtle latest. After a former lover dies in the present day, Katharina receives two boxes of diaries, tapes, and souvenirs that chronicle their relationship from decades earlier. Erpenbeck then flashes back to 1986, when Katharina, as a 19-year-old student in East Berlin, starts an affair with Hans, a married writer. The relationship is intense, physically and emotionally, especially after she admits to a brief fling with a younger man. Now, while listening to Hans’s tapes, Katharina reckons with the depth of Hans’s sexual and psychological control over her life (“So far as I am concerned, your deception is the greatest and most critical defeat of my life,” he says to her on one of the vitriolic recordings). Their relationship is marked by the tension between beginnings and endings, love and hate, truth and deception, freedom and repression. It’s also a struggle of wills between two generations with a very different experience of the crumbling Socialist state. This audacious dissection of unruly forces demonstrates how endings are already present in every personal or political beginning, however promising.

    • Kirkus

      April 1, 2023
      A thorny love affair and a momentous historical moment combine in this novel by prizewinning German playwright and author Erpenbeck, author of Go, Went, Gone (2017), etc. Structured as a series of flashbacks, the novel begins with news of a funeral. Cut to East Berlin in the 1980s and a chance encounter on a public bus. Katharina, 19, meets Hans, a married writer 10 years older than her father. Erpenbeck evokes their early all-consuming passion, fueled by sex and a shared love of music and art, and deftly overlaps their points of view. "Why a love that has to be kept secret can make a person so much happier than one that can be talked about is something she wishes she could understand....Perhaps because a secret is not spent on the present, but keeps its full force for the future? Or is it something to do with the potential for destruction that one suddenly has?" As time passes, rifts and menaces appear. The lovers, from different generations, have experienced different Germanies. "Only a very thin layer of soil is spread over the bones, the ashes of the incinerated victims," Katharina thinks. "There is no other walking, ever, for a German than over the skulls." From her apartment in Berlin, she can see the Berlin Wall. Erpenbeck's handling of characters caught within the mesh (and mess) of history is superb. Threats loom over their love and over their country. Hans is jealous, weak-willed, vindictive, Katharina self-abasing. At heart the book is about cruelty more than passion, about secrets, betrayal, and loss; it's at its best as the Wall comes down. "Everything is collapsing," Erpenbeck writes. "The landscape between the old that is being abolished and the new that is yet to be installed is a landscape of ruins." The personal and the political echo artfully in the last years of the German Democratic Republic.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      June 16, 2023

      Born in East Germany and now residing in Berlin, the multi-award-winning Erpenbeck (Go, West, Gone) turns in another major work rooted in the chaotic love affair between 19-year-old Katharina and Hans, a married writer 34 years her senior. She's sunflower-bright, he's brilliant and controlling, and though initially he insists that they meet only occasionally, they cannot keep away from each other. Related through two boxes' worth of diaries, letters, and tapes that Katharina mysteriously receives much later, their relationship cycles through ups and downs that are vividly rendered--at one point, Hans venomously recriminates Katharina for a single betrayal, though he has returned to the wife who banished him. (Katharina puts up with a lot, which gets exasperating.) What makes this affair so distinctive is its unfolding primarily in late 1980s East Berlin, finally drawing to a close with the end of the German Democratic Republic itself. Throughout, the contrast between Katharina's sense of recent German history and Hans's longer-view socialist-idealist lessons cuts deep, and U.S. readers might have wanted to hear more. In the end, it's unsettling to learn just how great Hans's own deceptions were. VERDICT Ice-pick precise and gorgeously written, if sometimes freighted too heavily with narrative, this expertly translated work offers insight into the personal and the political for astute readers.--Barbara Hoffert

      Copyright 2023 Library Journal, LLC Used with permission.

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