The Story of a Goat

September 2, 2019
This superbly fabulist tale from Murugan (One Part Woman) dives into the inner life and turmoil of a Asuras, a fictional farming village in rural India, through a small but determined goat and her unlikely caretakers. A large, mysticlike man gifts a rare black goat to an old farmer one day on his way home from the field. When the old farmer brings the malnourished goat home to his wife, she quickly gets to work caring for the goat, whom she names Poonachi. It’s not an easy start for Poonachi, who must deal with the abuses of the village children, refuses to suckle, and is attacked by a tiger. But in the hands of the old woman, Poonachi eventually thrives alongside their older goats and becomes her inseparable companion. As Poonachi grows older, she learns that life is filled with struggle and suffering, but also that it holds moments of beauty and love. Anthropomorphic Poonachi lets readers into many of her thoughts and experiences, including a vibrant view of life under a government regime that banned black goats (which supposedly can’t be seen in the dark) and oversaw long periods of famine and food rationing. Murugan explores the lively inner life of an observant goat in this imaginative exploration of rural life under the caste system.

November 1, 2019
Success nearly killed Murugan. Long-listed for the 2018 National Book Award for Translated Literature, his cult novel, One Part Woman, was viciously condemned and publicly burnt in his native India for revealing the culture of his remote village to the outside world. Murugan declared himself dead on Facebook, but broke his silence after winning a landmark case granting artistic freedom. In a three-month burst, Murugan created his impossibly frail, all-black, newborn goat named Poonachi who ends up in the care of an elderly farming couple. The old woman is smitten, tenaciously encouraging Poonachi's survival. Murugan?smoothly anglophone-enabled by award-winning Tamil translator Raman?moves fluidly between human and animal viewpoints, from detailing the humans' relationship with their land and flock, to anthropomorphizing Poonachi's maturation from fragile survivor into playful kid, longing lover, even miraculous mother. Yet as pastoral as this story seems, Murugan's multilayered intentions prove far more admonitory. Poonachi is more daughter?with all the limitations of womanhood thrust upon her?than livestock. Beyond the fields, a regime looms, fear controls, and societal rigidity rules as Murugan adroitly transforms his caprine idyll into cautionary chronicle.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

Starred review from October 1, 2019
A goat's life serves as an allegory for the human condition in this novel from an acclaimed Indian author (One Part Woman, 2018, etc.). Poonachi, the goat of the title, arrives the way characters often do in fairy tales: strangely, under circumstances fraught with portent. She's presented to an old man in a drought-stricken Indian village by a "giant" who needs "someone who will look after her properly." The goat is feeble and the old man's family is poor, but he and his wife nurse her with care. Still, life is always at least somewhat unstable: The government is nosy about Poonachi's provenance, other goats treat her like an outcast, and a wildcat abducts and nearly kills her. Fighting her way to survival only frees her to more sophisticated disappointments, including lost children and thwarted romance; Murugan deftly sketches out a nanny-meets-billy, nanny-loses-billy scenario that's as affecting as many human tales of unrequited love. Which is the point: In anthropomorphizing Poonachi, Murugan finds a path to describe the essence of humans' struggle to survive while grasping for fleeting moments of joy and grace. Murugan can be openly comic about this, as when he satirizes the endless bureaucratic lines goats and their keepers endure. But he's mostly straight-faced, in the tradition of George Orwell's Animal Farm, a similar allegorical tale; translator Raman notes the connection to the classic, and, as with Orwell, the story is straightforward as a fable while open to interpretation. In its closing pages, the novel returns to its more mystical roots, and while it gives nothing away to say that the story is ultimately tragic--from the start, Poonachi's life is a study in precariousness--Murugan subtly pays tribute to our capacity to stubbornly endure under the most difficult circumstances. An affecting modern fable reflecting Murugan's enchanting capacity to make a simple story resonate on many levels.

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