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August 1, 2018
Cats may have nine lives, but O'Farrell, who won the Costa Book Award for The Hand That First Held Mine, has had 17, as revealed in this stupendous collection of essays named for various body parts that have caused her near demise. Her aural stand-in, British actor Daisy Donovan, is temperamentally well matched, never acknowledging any hints of self-pity or despair. Donovan's steady tone embodies O'Farrell's remarkable strength recalling illnesses, violence, and accidents. At three, O'Farrell narrowly escaped decapitation-by-car-boot (trunk) and full-body flattening by auto two years later. Two near-drownings took her breath away. Remarkably, her experiences left her unafraid of death: "I viewed my continuing life as an extra, a bonus, a boon; I could do with it what I wanted"--until she became a parent. The final chapter, about a daughter made fragile with life-threatening allergies, is perhaps the collection's most affecting, in which keeping her child alive "one more day" becomes a daily miracle. VERDICT Immediate, irreverent, riveting, O'Farrell's mortal escapes emerge as illuminating, inspiring affirmation of everyday life. ["A heartfelt meditation on the fragility and wonder of life": LJ 3/1/18 starred review of the Knopf hc.]--Terry Hong, Smithsonian BookDragon, Washington, DC
Copyright 2018 Library Journal, LLC Used with permission.
November 13, 2017
British author O’Farrell (This Must Be the Place) has woven together a stunning collection of vignettes about near-death experiences in her life. She begins with a chilling tale of encountering a lone stranger during a hike up a mountain, who she later learns, after talking with the police, is a killer. Each story strikes a different tone, from the somber to the comedic. In “Lungs” she tells of taking a perilous dive off a cliff into the sea and nearly drowning when she was a teen desperate for adventure in a small Scottish seaside town in the late 1980s. Regarding these encounters with death, she writes, “They will take up residence inside you and become part of who you are, like a heart stent or a pin that holds together a broken bone.” Her most dramatic examination of the precipice between life and death is when she writes about her children. In a story that is both heartbreaking and hopeful, she tells of her daughter’s diagnosis with an immunological disorder, which left O’Farrell contemplating life’s fragility. O’Farrell’s recollections of her brushes with death are fascinating and thought-provoking.
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